اتجاهات تويتر/X في Hanoi - تحليلات فورية والهاشتاقات الرائجة

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The 15-second clip from Uganda's Mabamba Swamp shows the gray bird, standing up to five feet tall, flapping wings and grabbing the reptile's head before it retreats through the reeds. Shoebills fiercely protect their rare chicks from nest-raiders like these seven-foot lizards during breeding season, though full fights are rare in the dense habitat. While some viewers hail it as authentic tourist footage of real wildlife standoffs, skeptics question unnatural movements and suggest AI generation, yet reverse searches link it to genuine sightings by safari guides. The video draws attention to shoebills' vulnerable status, with fewer than 13,000 left amid habitat threats.

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A massive shoebill stork charges a Nile monitor lizard nearing its nest, snapping its bill and clamping down in a fierce defense captured on video.

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Scottiewider, a musician and streamer with 4,500 followers, posted the question early Saturday morning. It quickly gained over 31,000 likes, 4,500 reposts, and 460,000 views as people shared raw thoughts on chasing dopamine, dodging thoughts, or seeking themselves in endless feeds. Many referenced Aza Raskin's regret over inventing infinite scroll, which he says wastes 200,000 human lifetimes daily by exploiting our attention. The exchange turned into a shared pause, with some logging off to sleep.

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A musician's simple question hit home for thousands: 'why am i scrolling. What am i searching for?' In hours, replies filled with honest confessions about filling inner voids.

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The 2012 YouTube clip, uploaded by Big Time Rush's Carlos PenaVega, featured Bieber, Gomez, and stars like Ashley Tisdale dancing playfully, helping Carly Rae Jepsen's hit top the Billboard Hot 100 for nine weeks with over 86 million views. Exactly one year ago in 2025, Gomez joined Gracie Abrams and Benny Blanco for 'Call Me When You Break Up,' a cozy indie-pop track from their album *I Said I Love You First* that hit No. 46 on the Hot 100 and went gold in the U.S. Fans marked the timing with viral reposts, throwback dances, Stationhead parties, and merch like pink hoodies nodding to the songs' heartache, though some miss 2012's unfiltered pop fun.

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Fourteen years after Justin Bieber and Selena Gomez goofed off in that iconic 'Call Me Maybe' lip-sync video, Gomez dropped a cheeky sequel song with friends—right on the anniversary.

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Ousmane Dembélé, recent Ballon d'Or winner with Paris Saint-Germain, sustained an injury. This led to PSG medical staff assessing either the player or the Ballon d'Or itself. Confusion arose from headlines stating 'Paris Saint-Germain staff to assess the Ballon d'Or.'

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During an October 9, 2025, appearance on Rainn Wilson's 'Soul Boom' podcast, the actor compared the push for change to chaotic physics leading to something new, praising renewable transitions while noting the rise in billionaires. A 70-second video shared Saturday by Anti Left Memes prompted hundreds of replies, mainly from conservative users mocking him as an out-of-touch multimillionaire who benefited from the system he critiques. Critics called for boycotts and questioned his economic knowledge, while a few defended his activism, highlighting tensions over celebrity views on capitalism.

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In a 2025 podcast clip, Mark Ruffalo argues America has enough resources but needs a fresh economic vision amid climate and inequality challenges.

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In his third studio album ICON, released February 13, Faiyaz shifts from past womanizer themes to songs about domestic devotion, executive-produced by Raphael Saadiq at just 34 minutes long. Reviewer Alphonse Pierre praised tracks like 'butterflies' but criticized the lyrics as shallow compared to Faiyaz's earlier raw edge, writing he's hard to buy as a sudden hopeless romantic. Faiyaz responded sharply, accusing the site of pay-to-play and targeting Pierre, sparking fan support on X alongside debates over whether criticism counts as bias or fair takes.

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Brent Faiyaz called out Pitchfork on Instagram after their 5.8 score for his new album ICON, questioning bias and staff choices in a series of pointed stories.

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